The Means of Our Deliverance


So little do we see before us in the world, and so much reason have we to depend cheerfully upon the great Maker of the world, that he does not leave his creatures so absolutely destitute, but that in the worst circumstances they have always something to be thankful for, and sometimes are nearer deliverance than they imagine; nay are even brought to their deliverance by the means by which they seem to be brought to their destruction.

-Daniel Defoe, Robinson Crusoe

The Battle Belongs to YHWH

Isaiah 41:13-14 For I the LORD thy God hold thy right hand, who say unto thee: ‘Fear not, I help thee.’ (14) Fear not, thou worm Jacob, and ye men of Israel; I help thee, saith the LORD, and thy Redeemer, the Holy One of Israel.
Luke 22:36 He said to them, “But now let the one who has a moneybag take it, and likewise a knapsack. And let the one who has no sword sell his cloak and buy one.
Those in covenant with God need fear no one but Him. He sustains us and protects us. This doesn’t mean that we don’t need to prepare for trouble. (God doesn’t reward laziness.) It only means that we don’t need to worry about the outcome. Set aside emergency supplies. Buy some silver. Buy a gun and ammunition, and learn how to use it. But have no fear of the future. As God told Jehoshaphat in 2 Chronicles 20:16, prepare for war and march out to face the enemy, but God will provide the victory.

The God of the Multiverse

I have read a lot of science fiction and fantasy over the years. I've found the most complete and believable fictional worlds are those in which the divine is present even if only as an undertone. Nothing real can exist without a Creator, and no philosophy or imaginary world that leaves Him out can ever be complete.
We praise You, O Lord our God, Ruler of the universe, who with Your Word makes the sun to set and to rise, and with Your Wisdom opens the gates of Heaven. The fear of You, O Lord, is the beginning of wisdom, and Your commandments bring understanding.

The Man in the Axe


Bright sunlight flashed on the wheel-sharpened edge of an iron axe as it arced through a leaf-limned sky and dove down again to bite into knotted, striped flesh. Little green bits of a creeping vine flew away like so many starlings at the rush of a kite. The axe dropped down, came around and up, hovered weightless on the wind before folding its wings and crashing down again. Thunk! And a sound like leaves across sand as a calloused hand slid up the haft and jerked the head free. Down, around, up, woosh, thunk! Again and again, bite after bite, the gap grew wider in the dense wood.

Velkis let the axe head fall to the ground and leaned on the handle. He groaned and twisted around first this way, then the other, every joint creaking, vertebra popping. He extended his right arm and braced his hand against the trunk of the tree, then he turned his body to the left and pushed against the tree, pushed until he the deep scars that wrapped his upper arm like the vines on the trunk of this tree stretched to near tearing. He grimaced as the muscles pulled up tight, but he did not let up until it felt as though the skin might rip apart like the seam on a fat man’s coat. His disfigured arm would never fully straighten again, and the wounds pulled tighter all the time. If he didn’t stretch it every day, the arm would be entirely useless before a year had passed.

He turned his back and leaned against the tree. It remained a sturdy leaning post in defiance of his strength and blade. Many times in the arena Velkis had borrowed strength from the resistance of an opponent, but never had he turned his back on one.

He reached up with his left hand and massaged the stiff arm and shoulder opposite. The hardened, knotted tissue beneath the rigid skin was alternately tender and senseless. The long scar was sunken and white down the center like a glacier-filled valley. Hard, gnarled fingers traced its brown, red, yellow, and puckered borders, weather worn ridges full of hidden defiles. The skin elsewhere was loose and given to the myriad tiny wrinkles which age and the loss of youthful motility had endowed it. Six years in the desert. Five more on the wharfs of Galepileta. Then three decades in the Empire’s arenas. He had witnessed and caused more death than a mouser in a grain house, but the years were beating him down, besting him as it bested all mortals.

Velkis looked up at this old boxwood and wondered now which was he, the tree or the axe? And he wondered if it mattered. The dense wood must surrender to the iron in time, but with each strike the axe grew duller. Rage, though it might, its fate was inevitable: be useless without action or become useless because of it, but the axe, at least, could be sharpened.

The old fighter pushed himself away from the tree, shouldered the axe, and steeled himself to deliver a few more blows before fading light and mounting exhaustion forced him to retire.

Deep breath. Velkis inhaled as he lifted the axe, exhaled as he turned his hips and slid his right hand down the haft, pulling the head down and around with all the force he had left. He felt something was not right in the swing even before the impact—too far from the tree. The toe of the axe bit into the tree where the heel should have struck; the head turned aside, glanced off the trunk, and continued its arc. Far too late to arrest its momentum, Velkis felt the wood turn in his hands, and his heart turn in his chest, and in that eternity between the tree and his shin he had just the time to think No! before the axe collided with his leg.

The shock still rang in the bones of his hands as he gaped uncomprehending at his unharmed leg while his mind labored to interpret the conflicting input. Where there should have been torn flesh, broken bone, and a spreading crimson stain, there was only polished bronze.

“Burn me,” Velkis wheezed and sank to the ground. “Burn it,” he said, louder now, panic giving way, drowning beneath a flood of relief and anger.

He fell on the ground, laughed and struck the earth with his good fist. “Burn it to the lowest, demon lanced hell!” He sent after the first a succession of curses, each more creative and fearful than the last until it became a crude and boyish game. At last he lay still and whispered a prayer of thanks to whatever spirit had reminded him to buckle on those greaves that morning. He turned his head to look up slope toward the peak of Mount Dievakaj.

“Ha!” he scoffed. “You thought you had me with that one, didn’t ya?”

And he remained there, watching the late afternoon clouds drift overhead as he returned, one breath at a time, to the world of mortals, dry throats, and growling stomachs. At long last he pushed himself to his feet, retrieved his axe, and turned his feet toward home and to quiet his stomach.

Ray Bradbury and the Minority Defense League


In light of the recent controversies over the SFWA’s internal censorship policies, consider these excerpts from the author’s afterword to Fahrenheit 451:

“About two years ago, a letter arrived from a solemn young Vassar lady telling me how much she enjoyed reading my experiment in space mythology, The Martian Chronicles.

But, she added, wouldn’t it be a good idea…to rewrite the book inserting more women’s characters and roles?

A few years before that I got a certain amount of mail…complaining that the blacks in the book were Uncle Toms and why didn’t I ‘do them over’?

Along about then came a note from a Southern white suggesting that I was prejudiced in favor of the blacks and the entire story should be dropped….

The point is obvious. There is more than one way to burn a book. And the world is full of people running around with lit matches. Every minority…feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor who sees himself as the source of all dreary blancmange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.

Fire-Captain Beatty…described how the books were burned first by minorities, each ripping a page or a paragraph from this book, then that, until the day came when the books were empty and the minds shut and the libraries closed forever….

If the Mormons do not like my plays, let them write their own. If the Irish hate my Dublin stories, let them rent typewriters….If the Chicano intellectuals wish to re-cut my ‘Wonderful Ice Cream Suit’ so it shapes ‘Zoot,’ may the belt unravel and the pants fall….

All you umpires, back to the bleachers. Referees, hit the showers. It’s my game. I pitch, I hit, I catch, I run the bases. At sunset I’ve won or lost. At sunrise, I’m out again, giving it the old try.

And no one can help me. Not even you.

I wonder what Mr. Bradbury would think of an organization of science fiction writers that expels and campaigns against other writers who dare to pen words and ideas that offend some members of some minorities.  Not very much, I suspect.

Here are some other thoughts from prominent SF writers on this topic:

A Morality Tale of One Who Chose Security over Liberty

Protection by Robert Sheckley is a classic Science Fiction short story about a man who was offered protection from every threat, but he didn’t realize until it was too late that protection is itself a real threat.

The Three Angels at Sodom

In the stories of Abraham and Lot we can see two sides of a single prophecy. On the one hand is Abraham, through whom would come Israel, the Torah, and the Messiah. The whole world would be blessed through him and a portion of it would ultimately be saved. On the other hand is Lot, through whom at least Sodom could have been saved. But instead of preaching righteousness, he tried to be one of them without being like them. God had given him an opportunity to build the Kingdom through the witness of his words and righteous life, but he squandered the opportunity and lost even his own family.

There are some interesting patterns in the behavior of the three angels who came to judge and execute Sodom.

Genesis 18:1-2 present us with one mystery.

Recall the pattern of Genesis 1 and 2. In Genesis 1, Moses gave us a broad overview of the 7 days of creation. In Genesis 2, he zoomed into a subset of events that took place within those 7 days. They aren't two contradictory accounts, but a single account told from two perspectives. The same thing happens in here. Verse 1 says that YHWH appeared to Abraham, and then verse 2 says that three men appeared to him. There aren't four men here. Moses gave us a summary first, saying that YHWH appeared. Then he zoomed in and gave us another perspective on the same event: YHWH appeared to Abraham as three men. There is only one God; he is not three separate Gods. So what are we to make of this?

We will have to be content with a certain amount of mystery; we can never fully comprehend God. When he appears to men, we only see part of him. If we were to see him in all his glory we would die. So when we see him, we see him as the ten blind Indian men saw the elephant: a small part at a time, seeming to be one thing when he is really something greater. So Abraham saw God as three men, and we understand him in terms of Father, Son, and Spirit, even while we know that God is One: Hear, O Israel, YHWH our God is one YHWH. Shema, Yisrael, YHWH elohenu YHWH echad. When God reveals a part of himself, sometimes he appears as fire, sometimes as cloud, sometimes as a man, and sometimes as three men. He is still the One True God. None of these perspectives can define him.

God never does anything without purpose. He might be arational--meaning his actions might have no reason that we can know or understand--but he is never irrational. So when God appears to us as three men or as two men or as one man, then there is something we can know about him through it.
Here are the things that the character called YHWH does in these interactions with Abraham and Lot when he is referenced distinctly from the three, two, or one angels:
  • 18:1: Appears
  • 18:10: Prophesies
  • 18:13: Questions
  • 18:15: Judges
  • 18:17: Questions
  • 18:19: Prophesies
  • 18:20: Judges
  • 18:22: Stands
  • 18:26: Judges
  • 18:33: Leaves
  • 19:13: Judges
  • 19:24: Judges
Here are the things that the three men (with Abraham) or two men (with Lot) do together:
  • 18:8: Eat (three)
  • 18:9: Question (three)
  • 18:16: Rise and look (three)
  • 18:22: Turn and go (two)
  • 19:1: Come to Sodom (two)
  • 19:2: Inform (two)
  • 19:3: Turn, walk, and eat (two)
  • 19:4: Prepare to sleep (two)
  • 19:10: Rescue and protect (two)
  • 19:11: Blind attackers (two)
  • 19:12: Question and command (two)
  • 19:16: Compel to safety (two)
  • 19:17: Commands to safety
There is only one action ascribed to a singular angel who is not identified directly as YHWH:
  • 19:18: Extends mercy
In these three views of God we see three distinct roles:
  1. YHWH as investigator and judge.
  2. Three or two men together as friends, protectors, and guides.
  3. One man as giver of mercy.
How can anyone not love Torah!?

One question remains: Why were there three angels with Abraham and only two with Lot? The answer is in the pattern I showed above. Remember that every capital crime must have at least two witnesses and a judge, and the judge cannot also be a witness. So  one separately referred to as YHWH stood back while the two angels went down to observe the crimes of Sodom and to see if any might be saved. As soon as they had brought God's people to safety, judgment was executed.